Maybe that is the reason why even Bollywood could not resist itself from portraying his signature style of politics (if not the character himself) through one or the other films. Be it Mahesh Bhatt’s Saaransh in 1984, Mani Ratnam’s Bombay in 1995 or more recently, Ram Gopal Verma’s adaptation of Mario Puzo’s Godfather, namely, Sarkar, Bollywood always has got the best of it when it comes to cashing in on Bal Thackeray’s popularity.
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Source:IIPM-editorial,2006
